Several months ago I was contacted by the Brazilian publisher Compania Das Letras about the suitcases project being included in a book by Dorrit Harazim. They have been really great to deal with, but I wasn’t entirely clear about the nature of the project. When I got back from Nepal, a copy was waiting for me in my post office box. It seems to be a collection of essays about photographs (it is in Portuguese so I am not sure), and I was amazed to see the other photographers that were included. Several Magnum photographers are involved along with Gordon Parks and Vivian Maier and some other illustrious names. I am thrilled an honored to be a part of it. “O instante certo” translated roughly to “the right moment”. It is available through Amazon, so if you read Portuguese it might be nice to get a copy.
The article on the suitcases translates to “travel without return”. I would be happy if the book was translated into English at some point, but in the meantime, I’ll ask for a pdf and plug it into google translate.
The first few days I was in Nepal I had time in the mornings to edit some suitcase photographs. Upload speeds were really slow, so I didn’t get to add them to the site until today. You might want to check willardsuitcases.com to see some new ones. Scroll down to the bottom of the “Cases” page to see the latest additions.
Ida’s suitcase was mostly empty except for a comb, some wrapping paper, and a label. I really like this photograph.
I am in a phase of editing the suitcases where I have shifted from working on mostly full ones to ones that are largely empty save for labels. This is Elaine G’s leather grip. Nice hats, a lovely porcelain figurine and a Bible. Check out the suitcases site to see the latest uploads.
James arrived at Willard on 15 February 1961. I like how the staff identified his case as “clothlike”. I think it was actually real cloth.
And Carrie was admitted on 21 March 1930.
I am really facinated by the labels as they reveal quite a bit about the folks who owned the cases.
I was in DC earlier this week and had an interesting meeting with one of the curators at the National Portrait Gallery. This is the atrium that they share with the Smithsonian American Art Museum. It is an amazing building with a fantastic collection.
Harry M’s case wasn’t technically a suitcase, but it contained some interesting things.
I’m not sure what the wooden object on the left is, but the Latimer White Petroleum Jelly label is quite nice. And the Prell shampoo bottle is classic. The label had fallen off, but it has the “Rinse, Lather, Repeat” admonition that got consumers to use twice as much as they probably needed.
I have been editing and uploading more of the suitcases, and you can see the latest here. Just click on “The Cases” at the top of the page. Thanks for following.
L. W.’s case was largely empty save for this purple piece of rope and a half-smoked cigar. It stikes me as a pretty good metaphor for a life interrupted. You can check out the other photographs on the suitcases site. Thanks for following, and I wish you all a lovely weekend.
I mentioned earlier this week that I was hoping to get Charles F’s photographs uploaded by the end of the week, and here is a sample. To see the rest of the collection, please go to the Willard Suitcases site.
From the little I know about Charles, he came to Willard somewhat later in his life. I have no way of knowing if the portrait in the above photograph is he, or someone near to him, but whenever I think about his life, this image comes to mind.
The tassels on his tallit are especially evocative to me.
I believe that this is the publisher of some of his books. I did a search for it but came up empty. Any help would be welcome.
His starched collars were still in quite good condition.
I have no way of knowing if he was in the military, but I would guess that this canteen was army surplus.
Here is a close up of his naturalization papers, which date to October of 1896.
Many of the suitcases in the collection contain scraps of paper with hand-written notes on them. I find that these can be especially interesting.
One of Charles’ cases had this selection tools (and a razor).
Please check out the rest of my photographs of Charles’ possessions on the suitcases site, and thanks for following.
I am attempting to make a push to upload as many new cases as I can over the next few months.
George C’s case is really blue! It was empty save for a label. You can see the other photos at the willardsuitcases.com site. I am uploading the cases chronologically, and this is the beginning of a run of empty cases. I ran the second kickstarted appeal specifically to document the entire collection, and even the empty ones are important to me. (By the way, thanks to Peggy Ross for convincing me how important it was to photograph every case. I wouldn’t and couldn’t have done it without her help and support.)
One case stands out in this sequence though, especially as it was anything but empty. Charles F’s possessions were amazing. It will take me days to go through it all, but I hope to have it up by the end of next week. Above is his certificate of naturalization. On the left you can see the list of clothing that came with him to Willard. More soon.
Thanks for following.
Very shortly after the first Willard Suitcases kickstarter went up I received an email from Jessica Helfand expressing her interest in the project. She soon invited me down to New Haven to speak to her Yale freshman seminar class, “Studies in Visual Biography”. Here is a post I did just after that first visit. I have subsequently been to her class on several other occasions and it is always very stimulating and fun.
As well as teaching at Yale, Jessica and her late husband Bill Drenttel created Design Observer, which is a fantastic website devoted to creativity and design. That description doesn’t do it justice though, as it is so much more than that. It is really worth checking out on a regular basis. In addition to the site, Design Observer recently started publishing a quarterly magazine. The second issue is just out, and they included a huge spread on the suitcases. I am just so honored to be a part of the issue, and it looks great. Here is a link to purchase it, and I would really recommend all of you interested in the project to do so. It includes many suitcase photographs that haven’t been published before. Special thanks go to Eugenia Bell, who did a great job selecting the images, and making sure it all came together. She was a joy to work with.
As we were saying goodbye after that first class at Yale, Jessica reached out, hugged me and said “We’re friends now!” It was a most touching gesture and I have rarely felt so quickly welcomed into someone’s life. She has been a massive supporter of the project who has helped me in so many ways, and I am very fortunate to be her friend.
Working my way home today, but I got to see my good friend Herman this morning on Elizabeth Street. I think he just got this new hat.
Big thanks to Judy Berde at the Roosevelt Island Historical Society for inviting me to speak about the suitcases. We had a great crowd with lots of interesting questions. And a note to any of you who are involved in organizations that might like to sponsor a talk. I am starting to travel quite a bit and really look forward to presenting the project. Next Wednesday the 17th, I be talking about some of my other work to the Schenectady Photographic Society. If you live in the Albany area, stop by.
Virginia’s case is pretty great. I can’t quite make out the date of her admittance, but it is sometime in the early 1950’s. It is interesting that these were the only two books she brought with her to Willard.
Good news about the willardsuitcases.com site. Steve Fox was able to troubleshoot the problem, and it is back up and looking good. I just added Virginia’s case, so you might want to check it out.
I am looking forward to seeing some of you in New York next week.