The visit to WUNC went really well. Frank Stasio was a great interviewer and it was fun to chat with him and Rose Hoban, whose interest in the suitcases brought me to Raleigh for the Lives on the Hill event. Here is a link to the broadcast.
I am staying with my friends Eric and Gail Vaughn and yesterday they drove me over the Dix grounds so I could get my bearings. I saw this marker for the cemetery and we stopped to walk around.
I was actually shocked to see that the grave markers used names instead of numbers as New York State does. And it made me both sad and angry that New York still refuses to allow former patients to be identified.
It would seem such an easy thing to change, but New York State OMH has no interest in doing so.
Please go to Lin Stuhler’s site and read her goodbye post. She has said it much better than I ever could.
Tonight is the reception at The Mahler Fine Art gallery in Raleigh and tomorrow is the big public event. If you are in the area please come by. Thanks for following.
I had an amazing time in Galveston at NamiFest. What a lovely group of people and I felt so very welcomed by everyone. My presentation went really well and I got fantastic feedback about the suitcase photographs. NAMI is a fantastic grass roots organization, and if you or friends and family are dealing with mental health issues, they are a valuable resource.
Tomorrow I am off to Raleigh for the “Lives on the Hill” event which centers on the Dix Hospital complex. On Thursday just after 12.15 PM, I will be on “The State of Things” program with Frank Stasio. For those of you near a computer at that time, it can be streamed here. It will also be rebroadcast in the evening at 8.00 PM. The big event is on Sunday. Here are the details. If you follow the project, please stop by and say hello. I love meeting folks and talking about the suitcases. In addition to the Sunday event, photos are on display at The Mahler Fine Art, and at the Busy Bee Cafe. It should be an interesting weekend.
When I started photographing the suitcases, I really had no idea what I was doing, or where the project would go. Very early on, Craig Williams introduced me to poet and psychiatrist Dr. Karen Miller, and it has been amazing to “share” the suitcases with her over the five plus years that we have had access to the collection. Because of her, I was included in the Exploratorium Exhibit in San Francisco, and because of her, I gained so much insight into the lives of the patients at Willard. She has illuminated the human side of the folks who, in many cases, lived their entire lives at the institution.
I have always seen the suitcases and their contents as a reflection of who the patients were before, and during their time at Willard. Because Karen went through the lengthly and difficult process of gaining access to the medical records of the suitcase owners, she was able to explore the clinical and bureaucratic side of their lives. On many occasions, we worked side by side at the museum storage facility in Rotterdam and were able to talk about what inspired us about the collection.
In many ways, I didn’t want to learn too much about the reason these folks ended up at Willard, since it was important to me to feel a connection to them through their possessions.
So it was with some trepidation that Peg Ross and I made arrangements to spend the day in the New York State Archives photographing some of the massive case files of the suitcases owners. Karen spent quite a bit of time getting Peg and me access to this otherwise closed collection, and I want to thank her so much for her efforts. It was a remarkable day, and so nice to be working close to Karen again.
I am still not sure what I will do with these photos, but I do know that they’ll eventually be a part of whatever happens with my work on the suitcases.
As I was profusely thanking Karen for all that she has contributed to my work on the collection, she remarked on something that really resonated with me. I’ll paraphrase here, but she said something to the effect that the most important things she has done in her life have been in collaboration with others. I feel that so deeply. Without Craig Williams, I would never had been able to begin the project. Without Peggy Ross I would never have photographed the entire collection, and without Karen I wouldn’t have anywhere near the insight as to what life as a patient at Willard would have been like. It is so fulfilling to be part of a team of such creative, smart, and great people, and I am so grateful to each for their help and support.
I was looking at some photographs that I took in 2010 of artifacts from the Attica Prison uprising, and came across these shots from a visit to a nearby New York State cold war bunker. I first mentioned it in a post here.
When Craig Williams and I went down into the bunker, we were accompanied by a couple of local policemen who thought there might be people inside, as the gate had been forced open. They checked it out and the space was empty, so we went in. As you can see by the beads of water on the wall, it was really humid and musty.
There was electricity, so most of the fluorescent lights were still working.
Abandoned spaces have always fascinated me, and I’ve been lucky to get access to some amazing buildings.
The idea that the usefulness of a place can end abruptly, and that an organization like the State of New York can basically walk away from it is especially interesting. I had the same feeling with my Silent Voices project (click on “asylums”).
It is amazing what gets left behind. There is some pretty old technology in this shot. My dad had a Wollensack tape recorder like the one above that I used to play with as a kid.
There are usually lots of keys in places like this.
I am not sure when New York State shut down these sites, but I believe there were 6 or 7 of them scattered around the state.
There must have been some permanent staff who worked here, but I would guess that it was a small crew that could have been expanded on during a crisis.
It must have been an interesting place to work.
I realized while writing this post that I knew very little about the history of these sites, so with a quick internet search, I found this great resource.
The U. S. Government logo for civil defense is a beautiful design; as I was growing up in the 60s it was everywhere.
As were these old rotary phones.
Both the Federal and State governments were active in distributing information about what to do in the case of an emergency situation, which seemed to always be about some sort of attack from the USSR.
This is a page from an old Ridgid Tool calendar. There were a bunch of these scattered around the floor.
Here’s one last shot of the main room. Thanks to Craig for setting me up to get into this place. I’ll try to do something with the Attica artifacts sometime soon.
I finally figured out why I have so many new followers. WordPress featured me on their main site, and I want to thank them for doing so. I was going to try to explain to you recent followers what I am trying to do here, but it is kind of obvious if you just jump around through my previous posts. So, welcome and thanks for following.
This case belongs to Margaret D, and she clearly liked beautiful underthings. It is difficult to describe just how wonderful the fabric in these garments felt to the touch.
Margaret was a nurse before she came to Willard, and she also brought along a massive collection of highly starched nurses uniforms.
There had to have been at least 50 of these uniforms, and they were all folded nicely.
I first met Zoë Crossland shortly after she backed the first suitcases Kickstarter campaign. She is an anthropology professor at Columbia University and has invited me on two different occasions to speak to her department about the suitcases. Both visits were amazing, and I learned so much about the project from hearing what the faculty and staff had to say. Over a year ago we started a dialogue about the project with hopes of getting it published. Six months ago the Journal of Contemporary Archeology agreed to do so, and the online version was released late last week. Here is a link to see a pdf of the article. Scroll down to “Download Media” and click on the little icon next to “PDF”. I am so proud to be a part of this as I think Zoë did a fantastic job of connecting my photographs with her interests as an archeologist/anthropologist. There will be a print version available soon which can be ordered through the JCA.
Thanks for following. I have been getting quite a few new subscribers to this site, so as a reminder, you can check out The Willard Suitcases site here.
I just got word that the governor of New York State has signed Senate Bill S840A. Here is the summary of the bill; “(Senate Bill S840A ) relates to patients interred at state mental health hospital cemeteries; directs the release of the name, birthdate and date of death of certain patients 50 years after the date of death”. I am not totally clear about what “certain patients” means, and to whom this information may be released, but this is certainly good news. Here is a link to two earlier posts I did about the cemetery and the whole issue of names. Click on Coleen Spellecy’s and Lin Stuhler’s links to read about the two people who did the most to get this bill through the legislature. And thanks to Joe Robach for being persistent in getting the bill passed and signed into law.
The issue of not being allowed to name the owners of the suitcases has always bothered me. I have been expressly told by both the New York State Museum and the New York Office of Mental Health that due to state law, I am forbidden to use the surnames of the patients when I publish the photographs, even though some of those names have already been mentioned in local newspapers and in other sources. I feel that not using surnames continues to dehumanize the folks who were already stigmatized just by being patients at Willard. Due to this new law, it might be possible, in some instances, to begin using full names. All in all, this is a pretty exciting development.
Thanks for following and check out the suitcases site to see the latest.
Even though my summer has been scattered location-wise, I have been able to work regularly on editing the suitcases, and have been able to upload a good number of them to the Willard Suitcases site. Click on “The Cases” to see the latest. Theresa F was admitted to Willard on 3 April 1935.
It might be a good time to mention a couple of upcoming events where I will be talking about the project. In early October I will be traveling to Galveston to speak at NAMIFEST 2016. NAMI is a national organization dedicated to supporting individuals and families dealing with issues of mental illness. I’ll be speaking at the dinner event on Friday (the 7th). If you have been following the project and live in the Gulf Coast area, please think about attending.
The following week, I will be speaking at a very interesting event in Raleigh, NC. The “Lives on the Hill” project is being organized by the North Carolina Health News folks, and will be highlighting the shuttered Dix Hospital property in downtown Raleigh. I will be speaking at the Sunday (the 16th) event taking place at the Student Center on the NC State Campus. There will also be an exhibit of the photographs up for the entire month of October. I’ll update about the location once those details are finalized.
It is very exciting to be involved in both of these events, and I am really looking forward to being a part of them.
Several months ago I was contacted by the Brazilian publisher Compania Das Letras about the suitcases project being included in a book by Dorrit Harazim. They have been really great to deal with, but I wasn’t entirely clear about the nature of the project. When I got back from Nepal, a copy was waiting for me in my post office box. It seems to be a collection of essays about photographs (it is in Portuguese so I am not sure), and I was amazed to see the other photographers that were included. Several Magnum photographers are involved along with Gordon Parks and Vivian Maier and some other illustrious names. I am thrilled an honored to be a part of it. “O instante certo” translated roughly to “the right moment”. It is available through Amazon, so if you read Portuguese it might be nice to get a copy.
The article on the suitcases translates to “travel without return”. I would be happy if the book was translated into English at some point, but in the meantime, I’ll ask for a pdf and plug it into google translate.
The first few days I was in Nepal I had time in the mornings to edit some suitcase photographs. Upload speeds were really slow, so I didn’t get to add them to the site until today. You might want to check willardsuitcases.com to see some new ones. Scroll down to the bottom of the “Cases” page to see the latest additions.
Ida’s suitcase was mostly empty except for a comb, some wrapping paper, and a label. I really like this photograph.
Cris starts work tomorrow, so today was a day to walk around a bit. The earthquake damage is very obvious with piles of brick everywhere and scaffolding around many buildings.
These shots are all from around Durbar Square.
Cris would gasp just about every time we turned a corner in this part of Kathmandu. She came here first in 1979 as a Peace Corps volunteer, has subsequently come back to work in Nepal on a regular basis, and is really familiar with the city. It is really shocking to see the devastation.
As we were walking back to the hotel I started noticing pictures of Hindu gods that were about 3 feet off the ground and which were spread out about every five yards along a huge brick wall. They are evocative in the odd way that things that attract my attention are. I began taking pictures of them when I saw this next guy, who looked much more contemporary than the rest.
These next two are Krishna.
He is almost always depicted with a cow and a flute.
And often a milkmaid.
This sign was higher up on the wall and Cris was looking at it and smiling as I walked past her. It is amazing to come to a place like Nepal with someone who speaks and reads the language. It basically says, don’t piss or shit on the wall. Which is why the images of the gods are placed just about the height at which a man’s stream would fall. It seems a pretty effective deterrent.
The issue of public defecation is something that the current government has begun to work on (for obvious reasons).
We like Ganesh as he is the remover of obstacles and the patron of the arts and sciences. For some reason, we have always associated him with travel, which is something we do quite often. Finally, here is Hanuman, the monkey god.
Thanks for following. We are a bit sketchy on Hindu lore, so please pardon me if I have gotten anything wrong about the gods.