Cris and I drove to Williamstown yesterday to meet up with Peggy Ross and her husband Peter. The Clark is always the draw, and every time I go something new grabs me. These Renoirs are quite nice.
I have always liked this Sargent on the right (“A Street in Venice”).
Cris really likes these figures. I can’t remember the artist.
I spent a lot of time sitting in front of the Turner that I mentioned in a previous post.
I have mentioned my Krieghoff connection before. Like Cornelius, Gordon was also a painter, and he lived and worked in Detroit, which is where my mom grew up. If I remember correctly, they were contemporaries, although Gordon was somewhat older. In addition to works like the one above, he was also a commericial artist.
While my family doesn’t have any Cornelius paintings, we do have quite a few of Gordon’s. There is not much of a market for his work, and there isn’t much information online about his life. It is possible that my brother or sister know more than I, and they might add something in the comments. I don’t ever remember meeting him as a child.
When my parents died, we siblings each got several of the paintings. The frames were in pretty good shape but the mats were yellowed and probably not acid-free. This is the second one that I have had reframed, and like the first, there was something sketched out on the reverse side of the painting.
This is clearly the beginning of what was probably an advertisement of some sort. I know he did illustrative work for some of the larger Detroit companies, including General Motors. Like many of us, I wish I had more concrete facts about my extended family history.
Cris and I took the afternoon off today and went to the Clark in Williamstown. A lovely drive up Route 2.
There was only one Turner, but it was in a room of its own. He is still my favorite. There’s a ton of great Impressionist art in this private collection, especially Renoir and Monet. Also a huge number of Sargents, Homers, and Cassatts. It is really hard to believe that a family could amass this much amazing art, and it is so great that it is open to the public.
Early on in the suitcase project, people started sending me links to the Foundling Museum in London. Some saw an emotional connection between my project and the amazing stories that are a part of the museum’s collection. I was really flattered. This past Friday I finally got the chance to stop by and visit. It is really difficult to describe in words the impact of the exhibits, and of the building itself.
This is one of many tokens that mothers or fathers left behind to identify their children should they ever return to claim their abandoned child. It was a simple, but effective system. So much history here, and I would encourage going to their site to read about what an incredible institution Thomas Coram envisioned and successfully started.
I thought a lot about charity, art, and how brilliant Coram was in bringing in creative people to support the hospital. Both William Hogarth and George Frideric Handel were governors, and donated time and energy to the idea of saving abandoned children. The museum still utilizes this model in their temporary gallery space. I was really bummed to have just missed a Grayson Perry exhibit. (If you have a few hours to spare, please listen to this.)
Sometimes art can really have an impact.
We made it to the Tate Britain today to see the Turner show. It was amazing. No photography in the temporary exhibits, so no pics, but oh my, what an exhibit. He was it.
The rest of the museum was nice. All Brit artists and huge, with lots of variety.
Walked around London afterwards and saw these coots in St. James’s Park. I love coots.
Long bus ride out to Hammersmith to have a few pints at The Dove.
To me, it is the nicest and most welcoming pub in London.
John and I have a long history here. We never made it to the V and A for the Constable exhibit. Maybe tomorrow or Friday.
I’m back from the TEDx event at the Vineyard. It was an intense couple of days and was really interesting. Aside from my usual anxiety about presenting the project to people, my biggest concern was how to get 10 20 x 24 inch framed prints from my house to the venue. It all worked out, but it was a bit nerve wracking.
I was really happy that I was only showing prints, and not doing a formal presentation. I travel around and talk about the suitcases quite a lot, but mostly in give and take type of situations. The idea of standing up and delivering a 15 minute presentation still seems a bit intimidating. It was really helpful though to watch how others talk about their work in this type of format, and I learned a ton about how I want to refine my presentations.
Here’s Jon Ronson giving his talk. I had read “The Psychopath Test” and seen “The Men Who Stare at Goats” and was happy to get the chance to hang out with him. So many creative and stimulating people were a part of the event, and the organizers did a great job setting up time for the participants to relax and talk about our work. It was an honor to be asked to a part of it and I am really grateful to all involved, especially Katy Decker who is an amazing bundle of energy and sweetness. It was also fantastic that my dear friend Sue Jackson, her husband Rick, and their friend Joanie made the trip over from the Cape. It meant so much to me to have familiar faces there.
The Vineyard is a really lovely place and as I hadn’t been there in years, it was great to be back.
It was only slightly weird that since the President was in residence for his vacation, the Coast Guard was out in force. I would guess it was just for training purposes, but there were three chase boats that shadowed us back to Wood’s Hole and it felt a bit strange to see a manned 50 caliber machine gun so near to the ferry.
I am hoping to post more here over the next week. Thanks, as usual, for following.
There was a very nice mention of the suitcases project on PetaPixel yesterday. Thanks DL Cade!
Cristine, our friend Kate, and I drove to Salem today to see the J M W Turner exhibit at the Peabody Essex Museum. It is amazing and worth the trip. No photos allowed in the gallery, but it is a very cool museum. Note the early Airstream trailer (lower right) that is part of the mid century LA exhibit.
The upcoming 10 days are going to be very hectic for me, so please be patient if I don’t respond directly to email. I’ll do my best.
It has been a while since I’ve posted. I think it was a combination of having the Kickstarter campaign wrap up and feeling a bit of “Kharma Congestion” as my friend Alex would call it.
Last week Cris and I drove to Toronto. She was presenting at the annual CIES Conference and I was tagging along for fun.
We went out to an amazing South Indian restaurant called Udupi Palace and it was the best. Cristine’s favorite food in the world is a paper masala dosa, and Udupi has the best ones she has ever found outside of India. After we ate, we were waiting for a streetcar to take us back downtown and I saw this window display. Love the hands.
I was very excited to get back to Toronto to be able to see the Thompson Collection of Cornelius Krieghoff paintings at The Art Gallery of Ontario. Here is a previous post about my relation to him. The museum has a ton of his work. I was really jazzed to see so many in one place.
This is a detail from one of his paintings that is a sort of self-portrait of his family (in the sleigh).
I especially liked reading the bottom paragraph here. It helps to explain where I might get my own disregard for authority.
After Toronto, we drove to Pittsburgh for another of Cris’ conferences. On the way we had to stop at Niagara Falls. I hadn’t been on the Canadian side for years, and it was a beautiful day. (Unlike many, I also really like the American side.)
In Toronto we scored some of these great Roots mittens. And I bought this hat in the Soviet Union in 1982, a very long time ago.
Next stop was Eddie’s Footlong Hot Dogs on the Lake Road just outside of Meadville. I grew up eating these and was thrilled to see that they had opened for the season just a few days earlier. I rarely post pictures of food, but oh man are these good. Too cold to eat at the picnic tables, but two with the works hit the spot.
We got to Pittsburgh in time for a nice walk along the River. It is a fantastic city that somehow remains largely intact. The downtown is full of beautiful buildings that are mostly in good shape, and it seems, just waiting for a revival of sorts. It is hard to imagine why young artists aren’t flocking here and making it home. It is such a cheap place to live, with amazing loft spaces right in town, and tons of culture. And the rivers!
So many beautiful steel bridges. This one leads to PNC Park, just across the river from downtown.
Here’s a view looking back across the water.
Our hotel was very near to Penn Station and on Sunday morning I took a walk over to check it out. As a kid I had traveled through it on the train, and the upper floors are now converted to “luxury” apartments. This is a section of the dome which used to be the main entryway from the street.
It was sad to see the “modern” waiting room like this.
With only two trains a day, and nothing running North/South there isn’t much activity. And the times aren’t particularly convenient.
Thanks for checking in. I’ll try to get on a more regular schedule of posting. Tomorrow Peggy Ross is coming over and we are meeting with my friends at Small Batch Books to start work on the Suitcases book reward. I’ll keep updating progress on the project, and plan to be back shooting next week.
It has seemed that for the past three weeks, my life has been consumed by the Kickstarter appeal. It has been a great, if not intense, experience. What I like most is that I am meeting such interesting people who are drawn to the project. Paul Mullins is a professor of anthropology at Indiana University-Purdue University, Indianapolis, and he just posted a great piece on his wordpress site. Here is the link. I like how serious academics have taken to thinking and writing about the suitcases.
Last Wednesday I drove to Exeter, NH to photograph the poet Willie Perdomo for Poets & Writers Magazine. He is an amazing guy, and we had a tremendous dialogue about art, creativity, and life in general. The story will run in the May/June issue. I’ll post a link when it is online. He generously gave me a copy of his new book and I had fun reading it on the train back from New York on Saturday evening.
I was in the city for a memorial service for the husband of a good friend who I met through the suitcases project. I am reminded again and again how way beyond photography the cases are for me. The service was very moving, and as these events often do, it reinforced the idea that friendship, love and a simple appreciation of being alive and healthy are what it is all about. So thanks to all of you who are reaching out. The connections mean so much to me.